EDUCATION
PhD in Creative Media
School of Creative Media
City University Hong Kong
Visiting Researcher
Games Research Unit
IT University, Copenhagen
Student Fellow
Applied Centre for Interactive Computing
City University, Hong Kong
Master of Fine Art
University of New South Wales Art & Design
Bachelor of Fine Arts
First-Class Honours
University Medal for Fine Arts,
University of New South Wales
2015-2018
2018
2017-2018
2010-2012
2002-2006
SELECT SOLO EXHIBITIONS
Crab_backup, Wellington Street Projects, Sydney.
Things the look like rocks, Gallery 9, Sydney
Landscape Tractate, MOP Projects, Sydney
Grids and Stones, HanArt TZ Gallery, Hong Kong
The Mountain Without the Words, Gallery 9, Sydney
Extensions of a No-Place (The Clock Work Man), Organhaus Art Space, Chongqing
Extensions of a No-Place (Wen Zhengming), Firstdraft Gallery, Sydney
Extensions of a No-Place (Wen Zhengming & Qui Ying), Taipei Artist Village, Taipei
Extensions of a No-Place (Undoing), Alaska Projects, Sydney
Extensions of a No-Place (the stone buildings), Mosman Regional Art Gallery, Sydney
Extensions of a No-Place, Flinders Street Gallery, Sydney
Mountain drawing (the first time I felt at home), Kudos Gallery, Sydney
2019
2016
2015
2015
2014
2013
2013
2013
2012
2012
2012
2011
SELECT GROUP EXHIBITIONS
Serious Games, HowArt Museum, Shanghai.
ACM Multimedia, Nice, France
When Artists Enter The Factories, Brooklyn Army Terminal, New York City.
ISEA, Nagi Art Centre, Gwangju, Korea
The Emerald City, K11 Art Foundation, Hong Kong.
Heterotopia/On The Route, GCA Museum, Chongqing.
Asia Hotel/REAL ESTATE/LANDSCAPE, Hefei Contemporary Art Space, Hefei.
ISEA 2016 Juried Exhibition, Hong Kong Polytechnic University, Hong Kong.
SafARI, Artist-run festival, Sydney.
4th Chongqing Biennale for Young Artists, Art Museum of Sichuan Fine Arts
Institute, Chongqing.
Channels Video Art Festival, Screenspace, Melbourne.
SYD/DRW, Northern Centre for Contemporary Art, Darwin.
Chongqing/Sydney, GAFFA Gallery, Sydney.
Wondermountain, Penrith Regional Gallery, Sydney.
Redline, Organhaus Art Space, Chongqing.
The Art & Australia Collection, Hazelhurst Regional Gallery, Sydney.
New Waves of NPM, National Palace Museum, Tainan.
Middle Head: 33°50’S, 151°14’E, Mosman Art Gallery, Sydney.
Othering (realities in landscape), Digital Art Centre, Taipei.
A3 A Tois, Instant 42, Taipei.
Othering (realities in landscape), RearView ARI, Melbourne.
The Third Landscape, Tin Sheds Gallery, Sydney.
2019
2019
2019
2019
2018
2018
2016
2016
2016
2015
2015
2015
2015
2014
2014
2013
2013
2013
2013
2013
2013
2012
PRIZES/GRANTS
Chow Yei Ching School of Graduate Studies Scholarship
Outstanding Teaching Award for Teaching Assistants, City University of Hong Kong
Career Fund Grant, The Copyright Agency, Australia
Ian Potter Cultural Trust Grant
Artstart Grant, The Australia Council for the Arts
Art & Australia/Credit Suisse Private Banking Contemporary Art Award
Vice Chancellor’s Excellence Scholarship, University of New South Wales
Australian Postgraduate Award
2017
2017
2014
2013
2012
2011
2010
2010
RESIDENCIES/WORKSHOPS
Multiple Approaches to Game Analysis Workshop, IT University, Copenhagen
Artist in residence, City of Sydney
Redline International Artist Workshop, Organhaus Art Space, Chongqing
Artist in residence, Organhaus Art Space, Chongqing
Artist in residence, Taipei Artist Village, Taipei
Artist in residence, Serial Space, Sydney
Artist in residence, Cite Internationale des Arts, Paris.
Artist in residence, Red Gate Gallery, Beijing
2017
2014
2014
2013
2013
2011
2011
2009
PRESS
Grids and Stones: Landscapes as Cultural Self-Portrait, Art Asia Pacific. http://artasiapacific.com/Magazine/WebExclusives/GridsandStonesLandscapesAsCulturalSelfPortrait
Artist Profile: Peter Nelson, The Guardian.
Something like a painting, China Daily.
http://www.chinadaily.com.cn/hkedition/2015-01/16/content_19332584.htm
The Waste Land – Peter Nelson, Taipei Times.
http://www.taipeitimes.com/News/feat/archives/2013/11/10/2003576530/2
Rethinking the Margins, Surface Asia Magazine.
http://www.surfaceasiamag.com/read-news-3-0-669-rethinking-the-margins.surfaceasia.magz#.UYcg3-De7dk
Extensions of a No-Place, Carrie Miller, the art life.
http://theartlife.com.au/2012/extensions-of-a-no-place/
Peter Nelson: Mountain Drawing (the first time I felt at home), Das 500.
Architect of the Ethereal, Australian Art Collector, Issue 52.
http://www.artcollector.net.au/PeterNelsonArchitectoftheEthereal
2015
2015
2015
2013
2012
2012
2011
2010